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Wicked IntelligenceVisual Art and the Science of Experiment in Restoration London$
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Matthew C. Hunter

Print publication date: 2013

Print ISBN-13: 9780226017297

Published to Chicago Scholarship Online: January 2014

DOI: 10.7208/chicago/9780226017327.001.0001

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Knives Out

Knives Out

Thinking On, With, Through, and Against Paper in the Mid–1660s

Chapter:
(p.68) Chapter Two Knives Out
Source:
Wicked Intelligence
Author(s):

Matthew C. Hunter

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226017327.003.0003

This chapter focuses upon a single artifact: the paper model of Richard Towneley’s telescopic micrometer that Robert Hooke fashioned in the fall of 1667. Cut, pasted, patched and apparently wounded, Hooke’s fragile model needs to be seen, I argue, as positively kaleidoscopic in its philosophical generativity. The chapter shows how Hooke’s model began as a picture and then matured as an object at a nexus of technological competition, artistic skill, and frankly wild speculation among leading French and English experimentalists, before giving birth to varieties of conceptual shape-shifting that targeted and liquidated nothing less than art itself. Having set out its micro-historical backstory and conflicted relations with art, I then elaborate the philosophical force of the procedures by which Hooke drafted, cut apart, and pasted his paper micrometer while fantasizing about machines, the machine-like bodies of animals he was then dissecting in landmark anatomical experiments, and the genesis of those animal bodies he was modeling through studies of paper-making. The chapter concludes by showing how Hooke attempted to theorize the cognitive agency of artifacts like his paper micrometer by redeploying his own pivotal ideas on celestial mechanics and attraction at a distance.

Keywords:   Richard Towneley, Robert Hooke, telescopic micrometer, vivisection, modeling, scientific drawing, paper making, machines, attraction, art

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