Preview Citation

Galvez, M. (2020-04-09). Three Ways of Describing a Crusader-Poet: Adjacency, Genre-Existence, and Performative Reconfigurations. In The Subject of Crusade: Lyric, Romance, and Materials, 1150 to 1500. : University of Chicago Press. Retrieved 5 Jul. 2022, from https://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226693491.001.0001/upso-9780226693217-chapter-006.

Galvez, Marisa. "Three Ways of Describing a Crusader-Poet: Adjacency, Genre-Existence, and Performative Reconfigurations." The Subject of Crusade: Lyric, Romance, and Materials, 1150 to 1500. : University of Chicago Press,  17. Chicago Scholarship Online. Date Accessed 5 Jul. 2022 <https://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226693491.001.0001/upso-9780226693217-chapter-006>.

Galvez, Marisa. "Three Ways of Describing a Crusader-Poet: Adjacency, Genre-Existence, and Performative Reconfigurations." In The Subject of Crusade: Lyric, Romance, and Materials, 1150 to 1500. University of Chicago Press, 2020. Chicago Scholarship Online, 2020. doi: 10.7208/chicago/9780226693491.003.0006.

Galvez M. Three Ways of Describing a Crusader-Poet: Adjacency, Genre-Existence, and Performative Reconfigurations. In: The Subject of Crusade: Lyric, Romance, and Materials, 1150 to 1500. University of Chicago Press; 2020:153-206. https://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226693491.001.0001/upso-9780226693217-chapter-006. Accessed July 5, 2022.