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The Language of Flowers

The Language of Flowers

Chapter:
(p.189) 8 The Language of Flowers
Source:
Walter Benjamin's Grave
Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226790008.003.0008

This chapter discusses the connections among cartoons, flowers, and the mutilation of corpses. The striking plant illustrations of the eighteenth-century Mutis expedition, many in color, are well known today both inside and outside Colombia, where they are now virtually the icons of the nation—all the more powerful for being natural symbols. Part plant, part human, the mandrake is a precise instance of something hovering between an art of nature and an art in nature, and surely this is what accounts, in part at least, for its magical powers. The technique considered to achieve the best mandrakes, as used in what is now Syria and Asia Minor, was to extract the root, manipulate its shape with cutting and pressure, bandage it, and then replace it in the ground, giving it time to grow some more and thus, when extracted a second time, become “so natural in appearance as to make it difficult or impossible to discern where the artist shaped it.”

Keywords:   cartoons, flowers, Mutis expedition, natural symbols, art of nature

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