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Music in German PhilosophyAn Introduction$
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Stefan Lorenz Sorgner and Oliver Furbeth

Print publication date: 2011

Print ISBN-13: 9780226768373

Published to Chicago Scholarship Online: March 2013

DOI: 10.7208/chicago/9780226768397.001.0001

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Kant

Kant

Chapter:
(p.27) Kant
Source:
Music in German Philosophy
Author(s):

Christel Fricke

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226768397.003.0002

This chapter presents a short biography of Immanuel Kant. It then reviews his particular thoughts on musical philosophy. Kant was born on April 22, 1724 in Königsberg. He never married and died in his house on February 12, 1804. He placed the theory of cognition at the beginning of his critical transcendental philosophy, in Critique of Pure Reason. His theory of art was pointed toward identifying the place that the judgment of beautiful objects in nature and art occupies in his system of transcendental philosophy. Kant accorded to music the status of a fine art, whose works engage the cognitive powers in a state of free play. Critique of Judgment occupied a unique position in regard to the reception of Kantian transcendental philosophy. The basis for an understanding of the semiotic character of absolute music was provided by Kant's transcendental philosophy and his cognitivist aesthetics.

Keywords:   Immanuel Kant, musical philosophy, theory of cognition, transcendental philosophy, Critique of Pure Reason, Critique of Judgment, fine art, cognitivist aesthetics

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