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Artistic LicenseThe Philosophical Problems of Copyright and Appropriation$
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Darren Hudson Hick

Print publication date: 2017

Print ISBN-13: 9780226460109

Published to Chicago Scholarship Online: September 2017

DOI: 10.7208/chicago/9780226460383.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use (for details see http://www.chicago.universitypressscholarship.com/page/privacy-policy).date: 23 November 2017

Culture Clashes

Culture Clashes

Chapter:
(p.9) One Culture Clashes
Source:
Artistic License
Author(s):

Darren Hudson Hick

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226460383.003.0002

This opening chapter focuses on the sorts of culture clashes that are at the core of our more interesting issues of authorship, ownership, and infringement, examining the role that copying and copyright have played in artistic practice, the psychology of ownership, and what seems to be an increasingly accelerating ideological shift, fueled in part by technological advances, bringing about a widening of the gray area between artistic making and artistic taking. Case studies include Shia LaBeouf’s film HowardCantour.com, the early blues recording of Blind Lemon Jefferson, and the Amen Break.

Keywords:   plagiarism, blues, culture, remix, sampling, Blind Lemon Jefferson, Shia LaBeouf

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